2008年9月22日星期一

Thankfully, this opening was not

Thankfully, this opening was not a precursor to the film, which sought to explore a more important issue: the meaning of life. As two unhappy individuals in their roles, both Murray and Johansson struggle to find real meaning in their current circumstances.

What happens in their exploration is really nothing special. As a viewer I was waiting to see where their relationship was going because they came to no conclusions together, or on their own.

Therein is why I gave this film an average rating rather than a good or excellent rating. I wanted real substance in this film that I could relate to in my everyday life, and I was left wanting.

How odd is it that Bob and Charlotte never introduce themselves to each other despite spending days together contemplating their mutual miserable situations? This makes no sense to me whatsoever, and does not ring true in real life.

Despite winning an Oscar for her original screenplay, Sofia Coppola does not give the substance I expect. Hollywood pours out awards for her effort, and to me it only reflects why Hollywood is called Tinseltown, all show, confusion and stress without real substance.

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